Tag Archives: Books

30 Memorable Last Lines

“30 Memorable Last Lines” by Joan Y. Edwards

Copyright 2018 Joan Y. Edwards
As writers you’ve heard many times, “Have a good hook. Have an opening that hooks the reader into staying for the whole show. In other words, have an opener that gets readers to keep reading your book until the very end.


Today I’d like to focus on the last words of your book, the message you want to resonate in the hearts of your readers for a really long time. The one you want them to keep hearing over and over. I’ve put the spotlight on the last lines of books and a few movies. Film makers choose many books to make into movies.


You want your readers to define the closing a good one…a satisfactory conclusion. And even more than that, you want the last words of your book to resonate in the ears and hearts of your readers for their lifetime. You want them to be memorable. They will be memorable if they are meaningful to your readers.


I found many links online to what others believe are the most memorable last lines of books and movies. I shared them in the resources section below.


It seems difficult to fathom anyone being able to read every book or to see all movies. However, if you’re like me, you love to read and you love to watch good movies. You read the books or watch the movies that meet a need of yours. You have your opinions about the books you’ve read or movies you’ve seen. 


I believe that like the beginning of books, the closing of books can also hook readers. I listed stories I’ve read or would like to read because of the impact, the closing had on me.  Some are serious and others are humorous, but all are meaningful to me. These closing lines hooked me. 


Please share your favorite last lines of books or movies with me.


30 Memorable Last Lines

  1. “The creatures outside looked from pig to man, and from man to pig, and from pig to man again; but already it was impossible to say which was which.” –George Orwell, Animal Farm (1945)
  2. “It was a fine cry—loud and long—but it had no bottom and it had no top, just circles and circles of sorrow.” –Toni Morrison, Sula (1973)
  3. “But I reckon I got to light out for the Territory ahead of the rest, because Aunt Sally she’s going to adopt me and civilize me and I can’t stand it. I been there before.”  –Mark Twain, The Adventures of Huckleberry Finn (1885)
  4. “Maybe I will go to Paris. Who knows? But I’ll sure as hell never go back to Texas again.” –James Crumley, The Final Country (2001)
  5. “Lastly, she pictured to herself how this same little sister of hers would, in the after-time, be herself a grown woman; and how she would keep, through all her riper years, the simple and loving heart of her childhood; and how she would gather about her other little children, and make their eyes bright and eager with many a strange tale, perhaps even with the dream of Wonderland of long ago; and how she would feel with all their simple sorrows, and find a pleasure in all their simple joys, remembering her own child-life, and the happy summer days. –Lewis Carroll, Alice’s Adventures in Wonderland (1865)
  6. “P.S. Sorry I forgot to give you the mayonnaise.”
    –Richard Brautigan, Trout Fishing in America (1967)
  7. “Columbus too thought he was a flop, probably, when they sent him back in chains. Which didn’t prove there was no America.” –Saul Bellow, The Adventures of Augie March (1953)
  8. “We shall never be again as we were!” –Henry James, The Wings of the Dove (1902)
  9. “Tell me how free I am.” –Richard Powers, Prisoner’s Dilemma (1988)
  10. “But wherever they go, and whatever happens to them on the way, in that enchanted place on the top of the Forest, a little boy and his Bear will always be playing.” – A. A. Milne, The House at Pooh Corner (1928)
  11. “Don’t ever tell anybody anything. If you do, you start missing everybody.” – J.D. Salinger, The Catcher in the Rye (1951)
  12. I taker her hand, squeezing it tightly, and we walk on. -Monika Schröder  My Brothers Shadow (2011)
  13. “But I knew that Catherine had kissed me because she trusted me, and that made me happy then but now I am sad because by the time my eyes close each night I suspect that as usual I have been fooling myself, that she, too, is in her grave.” –William T. Vollmann, You Bright and Risen Angels (1987)
  14. “Vaya con Dios, my darklin’, and remember: vote early and vote often, don’t take any wooden nickels, and”—by now I was rolling about helplessly on the spare room floor, scrunched up around my throbbing pain and bawling like a baby— “always leave ’em laughin’ as you say good-bye!” –Robert Coover, The Public Burning (1977)
  15. “I never saw any of them again—except the cops. No way has yet been invented to say goodbye to them. –Raymond Chandler, The Long Goodbye (1953)
  16. “He heard the ring of steel against steel as a far door clanged shut. –Richard Wright, Native Son (1940)
  17. “I ran with the wind blowing in my face, and a smile as wide as the valley of Panjsher on my lips. I ran.” – Khaled Hosseini, The Kite Runner (2003)
  18. Jerry: “But don’t you understand, Osgood? Oh… I’m a man!”
    Osgood Fielding: “Well, nobody’s perfect.” – Some Like It Hot Film adapted by director Billy Wilder and comedy writer, I.A.L. Diamond from Fanfare of Love, a story by Michael Logan.
  19. “I’m so glad to be at home again” – L. Frank Baum, The Wonderful Wizard of Oz (1900)
  20. Jim: “Where you headed, cowboy?”
    Bart: “Nowhere special.”
    Jim: “Nowhere special? I always wanted to go there.”
    Bart: “Come on.” -Mel Brooks, Andrew Bergman, Richard Pryor, Norman Steinberg, and Al Uger, and was based on Andrew Bergman’s story and draft, Blazing Saddles.
  21. “But the miracle of it all is, when push comes to shove, we can be just as tough as hickory. It mostly burns at first. After a while it starts to feel better.” -Joyce Moyer Hostetter,  Blue
  22. E.T.: “I’ll be right here.” – Steven Spielberg, E.T. the Extraterrestrial
  23. Louis: “Looking good, Billy Ray!”
    Billy Ray: “Feeling good, Louis!” – 
    Timothy HarrisHerschel Weingrod,  Trading Places
  24. “But the sky was bright, and he somehow felt he was headed in the right direction.” – E.B. White, Stuart Little (1934)
  25. “Tomorrow, I’ll think of some way to get him back. After all, tomorrow is another day.” – Margaret Mitchell, Gone With The Wind (1936)
  26. “And so, as Tiny Tim observed, God bless Us, Every One!” – Charles Dickens, A Christmas Carol (1843)
  27. “A LAST NOTE FROM YOUR NARRATOR. I am haunted by humans.”- Markus Zusak, The Book Thief (2006)
  28. “The scar had not pained Harry for nineteen years. All was well.” –  J.K. Rowling, Harry Potter and the Deathly Hallows. 
  29. “But that is the beginning of a new story—the story of the gradual renewal of a man, the story of his gradual regeneration, of his passing from one world into another, of his initiation into a new unknown life. That might be the subject of a new story, but our present story is ended.” –Fyodor Dostoyevsky, Crime and Punishment (1866; trans. Constance Garnett)
  30. “From here on in I rag nobody.” –Mark Harris, Bang the Drum Slowly (1956)



Reblog: “The Best Time to Start Promoting Your Novel” by Amy R. Reade (guest on Kristina Stanley’s blog)

Reblog: “The Best Time to Start Promoting Your Novel” by Amy R. Reade (guest on Kristina Stanley’s blog)

Kristina Stanley says: It is my pleasure to welcome Amy M. Reade to Mystery Mondays. Amy is an author and another of my “internet friends” who has generously agreed to share her advice.”

The Best Time To Promote Yourself by Amy M. Reade

Screen Shot 2016-04-21 at 8.18.23 AMWhen Kristina asked me to write a guest post about my novel, my research, or a writing/publishing tip, my first inclination was to write something about the research I did for my new release. But then I changed my mind. I wanted to write the most helpful post I could think of, and research, while I love it and find it endlessly fascinating, is not a terribly enlightening subject for a blog post.

Instead, I’m going to share the best advice I ever received about marketing books.


Read more: on Kristina Stanley’s blog with Guest Amy M. Reade

Mystery Mondays: The Best Time To Start Promoting Your Novel


Believe in you
Never Give Up
Joan Y. Edwards

Interview with Dr. Bob Rich: Writer, Mudsmith, Psychologist, and Editor

“Interview with Dr. Bob Rich: Writer, Mudsmith, Psychologist, and Editor” by Joan Y. Edwards

Dr. Bob Rich and Ella
Dr. Bob Rich and Ella, one of his “grandkids.”

Today I’m honored to have Dr. Bob Rich as a guest on my blog. He is a writer, mudsmith, psychologist, and has an editing service. He lives in Australia. After reading my blog post, “Errors That Might Escape Spell Check,” he told me he has collected thousands of English words that writers confuse. His website is http://bobswriting.com (it takes you to http://mooramoora.org.au/bobrich/writer/.)

Doesn’t that get your curiosity up? Here we go. I’m going to ask 13 questions.

1. You write books about many subjects. Which three books have sold the most copies? What was your challenge when you wrote them?

Book Cover for Earth Garden Building Book by Dr. Bob RichMy first published book, The Earth Garden Building Book: Design and build your own house has sold hundreds of thousands of copies through 4 editions. It is still considered “The Australian owner-builder’s bible.”

How I wrote it: I started in 1972 as the most impractical fellow on earth. By 1980, when I started to build my house, I had lots of practical skills, but knew very little about building. So, I got a succession of laboring jobs in the building trades. After a few weeks at, say, being a bricklayer’s laborer, I wrote some how-to articles about it in Earth Garden, a marvelous magazine. Then I applied the skill in my house, and changed a job to teach me the next lot of skills I needed. After awhile, I thought to suggest to the publisher of the magazine that we write a building book together. He had copyright of lots of suitable articles, and had already published 8 books. After I posted the letter, I checked my post office box. There was a letter from him — making the same suggestion! So we did it, and the book has turned out really well.

Woodworking for Idiots Like Me by Dr. Bob Rich

My second book published, and the second highest seller, is Woodworking for Idiots Like Me. It sold maybe 60,000 books between 1994 and 1999. I have reissued it as an e-book, and it won the nonfiction category of the EPIC contest in 2007. It is a collection of short stories that makes most people laugh, but each story leads to an instructional section on some aspect of woodcraft.

Third highest seller is Anger and Anxiety: Be in charge of your emotions and control phobias. This little book has led a great many people out of despair and self-hate.

However, I much prefer writing fiction to nonfiction. Eight of my 14 books are fiction, the latest being Bizarre Bipeds: What IS humanity’s role in the Universe?

2. What triggered a desire to make a collection of words that writers confuse?

My fingers often have trouble keeping up with my brain, and so I can make finger stumbles. Being obsessive (a good characteristic for an editor), I instantly notice them… well, most of the time. Actually, I notice other people’s typos a lot more readily than my own.

Computers have a spell checker, but those things don’t pick up confusions like their-there or quiet-quite. I thought, wouldn’t it be great to team up with some programming genius and produce an automatic tool that does so?

Also, I have a twisted sense of humor. I just LOVE it when a serious publication states, “The value of early identification, diagnosis and intervention… cannot be underestimated.” I do have this theory that the writer meant “overestimated,” but then maybe SHE has the twisted sense of humor. So, I was collecting such malapropisms in the way others collect jokes.

3. Are you considering publishing your lists of commonly misused English words in a book? I think it would be helpful, if you published a book that listed sentences with the words used correctly and incorrectly. You mentioned that you had thousands of words for the letter “S.” Perhaps each letter could have 10 samples.

Well, I am still waiting for the programming genius to come along. Trouble is, the program would need to have a human-like understanding of syntax, grammar, all the fine points of language. I don’t think endless lists are fun to read (unless perhaps if you are a computer that has a human-like understanding of language).

Here are commonly misused words from my list. Most of these are homophones like “salary” and “celery.” Finger stumbles like “sash” and “smash.” Meaning-related ones like “saved” and “freed.” Anagrams like “said” and “dais.” People often confuse different grammatical forms, for example “sarcasm” and “sarcastic.”

1. said/dais.

2. salary/celery.

3. sash/smash.

4. saved/freed. Or raising/upbringing; ravish/devastate; tenuous/tentative.

5. sarcasm/sarcastic. Other examples are things like California/Californian; teacher/teaches.

6. cause/’cause. illustrate another source, like its/it’s.

7. bill/Bill. I am sure William wouldn’t mind being paid, but… And Ken may be smart, but the word is different from ken.

8. a bout/about; recur/re occur; preconception/pre conception. A space can make all the difference.

9. pin/p=in; artichoke/art[choke. Sometimes a symbol gets in through a finger stumble, and divides a word into two legal ones.

10. knots under/knot sunder. This is a different space problem from 8. “The knots under the parcel became undone” makes sense. Move the s from one word to the other, and you have a problem.

4. When “editing for content,” you look closely at plot, characterization, description, language, readability, organization, and dialogue. Can you usually tell with the first 1,000 words which of these will probably need the most help in the whole novel?

I get a very good feel for the technical competence of a writer within a couple of paragraphs. This includes characterization, the use of point of view (POV), the use of elements of writing like description, dialogue and action. However, the more subtle aspects like plot, continuity and the maintenance of tension sometimes seem all right at first, but prove to be poorly done further in the book. To counter this, for many beginning writers, the first few chapters are the worst, then the book improves.

It is actually a good idea to start writing in the middle, and introduce it later!

5. When editing a manuscript and you get to a point where the writer starts repeating certain errors, do you keep noting it for them?

That depends what I am being paid for. I often suggest to my client that we stop, I get paid for the work I’ve done, and the client applies the lessons to the whole manuscript, then sends me a new sample for a probably lower quote. But then, I am the world’s worst businessman.

6. What does an editor do when they do a “line edit?”

No, it is nothing like line dancing.

This means focusing entirely on picking up mechanical mistakes: spelling, punctuation, syntax, incorrect word usage, repetitious or awkward language. Trouble is, because I am obsessive, I can’t stop myself from also commenting on other stuff, even if I don’t actually get paid for it. Told you I am a terrible businessman.

7. I found that even I confuse certain homonyms. I put it’s when it should have been its. I know the right ones. However, when I was reading my manuscript, I missed it. Other people who critiqued my manuscript didn’t catch the error, either. Do you have any hints that might help writers catch these and similar errors?

It’s always easy to miss your own mistakes. Edit swaps or a professional editor help.

In the 1930s, a big publisher intended to produce the error-free book. They went over and over and over it… and the publisher’s name was misspelled on the title page!

It helps to put a document away and allow it to get cold. It also helps to read without meaning, just focusing on language. One way of doing this is to read from the end forward. I actually did that for galley proofs for my first few books. Now I don’t need to.

8. Who has been the most influential in encouraging you in your writing?

Oh, it didn’t happen like that. I’ve described how I started writing nonfiction. I started writing fiction because I didn’t want to cheat on my wife.

I was out of money, and out of a job. A friend suggested I should train as a nurse. But I live far from the relevant places, so that meant staying in a nurse’s home attached to a teaching hospital, and that was full of gorgeous 18-year-old girls. I had a choice: make a fool of myself running after them, or doing something creative and challenging with my free time. So, I started writing short stories.

I now have my own style, but early on, I enjoyed studying the writings of Asimov, Heinlein, Tolkien, Dick Francis, Hemingway, Conrad…

9. What are three things that help increase your creativity?

For me personally, I need to rein it in (funny how many people write “reign”). I tend to get TOO creative for my own good.

Everybody has oodles of creativity. You don’t need to increase it, but to unshackle it. The trouble is that modern society suppresses it. Creative children are more trouble to keep in line. Creative students ask questions, do things differently. Creative citizens go against herd actions, protest, see things differently, refuse to be brainwashed into being good little consumers and wage slaves.

The best way to unshackle your creativity is to throw your TV away.

10. How has living in beautiful Moora Moora, Australia inspired and helped you in your writing and your other jobs?

It has been wonderful to live in a place of beauty and power, but I like to think that wherever I am, I can draw inspiration from my experiences. I gained as much as a writer from being a nurse as from living at Moora Moora. Every experience is potential fodder to a writer.

11. What has been your proudest moment as a writer? As a psychologist? As a mudsmith?

For a long time now, I haven’t done much of being proud. I’m not bashful about achievements, but put them in their proper context, which is, “So what.” We are not on this planet to make money, gain honors, win power, status or fame. Those are all tokens in a Monopoly game. The aim of the game is to give us opportunities to grow, to become better people.

Here is another way of explaining what I mean. In New York, there is a school for gifted children. Three days a week, they go to an ordinary school, three days to the special school. At the latter, they deal with the same syllabus, but at a much deeper level, and using wonderful resources not available to others. Why do they spend half their time in an ordinary school? So they can learn to fit in with people not blessed by stellar IQs. They are taught that their high intelligence is luck, and doesn’t entitle them to arrogance. They learn to be tolerant of others, and are encouraged to make friends, fit in, be kind without even seeming to be.

12. Do you find yourself using your psychology knowledge in building your characters?

Well, there is only one of me. I do all of what I do, and they all reflect me. My writing has enhanced psychology, and my psychology has enhanced my writing. The main requirement for both creative writing and psychotherapy is empathy, so yes, they feed off each other.

13. If there was a question you wish I’d asked you, what would it be? Please answer this question, too.

Question 13? OK, I am not surreptitious (that’s one of my confusions!)


First, I am a professional grandfather. Four young people are genetically related to me, but I have hundreds of “grandkids,” all over the planet. The picture I sent you shows Ella with me. She is no genetic relation. I exchange regular emails with an 18-year-old in Saudi Arabia, a 17-year-old in Canada and a 19-year-old mother of two in Britain. There are many others. It gives me great pleasure that contact with me helps them to improve their lives that had been full of misery.

Second, at least since 1972, I’ve been a strong environmentalist. This planet only has two kinds of people: Greenies and Suicides. For many generations, humans have stolen from their descendants. We are those descendants, and ALL the trouble you see — irrational wars of hate, resource wars, climate change, resource depletion, the pollution that’s killing us, and many other problems — are the consequence of a culture based on greed. If we want to survive, we need to change to a culture based on compassion and simplicity. Above all, do no harm. Live simply, so you may simply live.

Thank you for joining me today, Dr. Bob Rich. This interview was fun and inspiring for me. I know it will be for my readers, too.

Thank you for reading my interview. Please leave a comment for Dr. Bob Rich and/or for me. We’d love to hear from you.

Here are three of Dr. Bob’s more recent books.

Bizarre Bipeds: What IS humanity’s role in the Universe? Is a novella and three short stories. We are definitely NOT the crown of creation. The novella, Liberator, stars the perfect mammals, whose planet has been invaded by monsters from space. Guess who the monsters are?

Sleeper, Awake is an award-winning report from my visit to the future. Of course, no one would believe I can do that, so I presented it as fiction.

book cover for Cancer-A Personal Challenge by Dr. Bob Rich

Cancer: A personal challenge is for everyone, because we are living on cancer planet. It is for those who want to reduce their chances of getting cancer, for those who love someone with cancer, and for those battling with this monster.

Celebrate you
Never Give Up
Joan Y. Edwards

Join 84 others –  Subscribe by email to my blog in the left hand column. When we get to 100 I am going to have a big Subscriber Celebration. Ten free pitch and 1000 word manuscript critiques to 10 lucky winners and 1 free pitch and 5000 word manuscript critique to the overall winner.

Submit your work to an editor or agent in August, then leave a comment on the following Submit to an Editor or Agent in August (Pub Sub). I’ll put your name in the hat for a prize of a free pitch and 1000 word manuscript critique by me.

Copyright © 2012 Joan Y. Edwards

The Power of Thankfulness

“The Power of Thankfulness” by Joan Y. Edwards

The barnstar of thankfulness
The barnstar of thankfulness (Photo credit: Wikipedia)

Thankfulness is powerful. Thankfulness gives you a chance to receive more of what you are thankful for.

I think of the ten lepers that Jesus healed.  Only one came back and said, “Thank you.”

In your lifetime, I’ll bet there have been many times when you did something for another person and…they…never…said, “Thank you.” They may not have even given you a smile.

I know, I know. We shouldn’t do things just for the recognition. However, it is nice to receive thanks for the things we do, the things we give.

What do you do if people don’t say thank you? Do you chop off their heads? Do you refuse to help them next time? If you’re getting upset because no one said, “Thank you,” you need to change your reasons for doing things in the first place. In the second place, you can thank yourself. You can celebrate your willingness to help others even when they don’t say, “Thank you.” Thirdly, remember that God thanks you. He knows and appreciates everything you do to help His people.

When you sincerely thank people for what they do for you, you light up their lives. It’s possible that no one has ever shown them appreciation for all the work they do. Even if it’s a service you’ve paid for, it is a great thing to thank others for their service. When we are thankful for each thing we have, we set the good vibes to receive more.

When you are down, list in your mind or on paper, ten things for which you are thankful. It’ll change your emotions. Changing your thoughts, changes your emotions. Your emotions are the clues to your thoughts. Before long, you’ll be feeling better.

The want to control other people, events, and experiences seems a human thing. It’s definitely something I desire from time to time. I want to:

  • Control the traffic.
  • Control what my spouse does.
  • Control what happens to my family and friends.
  • Control my body.
  • Control my mind.
  • Control my experiences.

Goodness! Such stress. Does wanting and wishing for control do any good?

“No.” People still do what they feel best for them. Traffic keeps flowing in its own way. Good events and bad events still happen without my control, approval, or disapproval.

However, accepting myself and others creates a great deal of peace within me. Being thankful for others as they are, creates a great deal of wisdom of the unhealthy demands for perfection on my part and theirs.

In the movie, The Secret, Lee Brower tells about how he found a rock and said, “Every time I touch this rock I’m going to remind myself of how thankful I am for my life.” He shared his rock with a man from South America. The man asked him to send him some gratitude rocks. He sent him some from his neighborhood. The man from South America used these rocks to remind him to be thankful for the healing of his son. His son did heal. See the full text from the gratitude segment in The Secret: http://www.freewebs.com/gratituderock/

Gratitude shifts your focus to love and peace.

No matter whether the person you helped or gifted is thankful, God remembers. The universe remembers. Some people call it, “Good Karma.”

  • What goes around, comes around.
  • What you do for or to others, comes back to you.
  • When you think positive, you allow positive things to happen.
  • When you think negative, you’re allowing or inviting negative things to happen.
  • You reap what you sow. It’s like a boom-a-rang. What you send out, comes back to you.
  • When you put only sad thoughts in your mind, sad thoughts come out, and more sad thoughts and sad events come in.
  • When you judge others, you allow judgment to come back to you.

Your own thankfulness puts you in line to receive more of what you are thankful for.

  • If you want more money, be thankful for the money you have and use it wisely.
  • If you want more friends, be thankful for the friends you have and treat them nicely.
  • If you want more food, be thankful for the food you have and use it in a healthy way.
  • If you want more knowledge, be thankful for the knowledge you have and use it wisely.
  • If you want a better job, be thankful for the job you have and do it well.
  • If you want a better house, be thankful for the house you have and keep it well-maintained.
  • If you want publication, be thankful for your gift of writing and for all publishers.

You can also be thankful for the gifts you want to receive and mention them as having been received. Show:

  1. Gratitude for your published books.
  2. Gratitude for your new house.
  3. Gratitude for your friendships.
  4. Gratitude for your good-paying job.
  5. Gratitude for your customers.
  6. Gratitude for the flowers, grass, and shrubs in your yard.
  7. Gratitude for an abundance of rainfall.
  8. Gratitude for your abundance of money.
  9. Gratitude for your healthy body, mind, and spirit.
  10. Gratitude for your education.

Being thankful helps you accept where and who you are in this particular place and time. A sense of gratitude pays off big time. A sense of gratitude grows with each utterance of thankfulness said aloud or in private. Here are things that like me, you might be thankful for:

What’s on your gratitude list?

Design something to help you remember to wake up being thankful. Put something on the table beside your bed. Right beside your glasses. Or put something in the bathroom beside your toothbrush. Or perhaps you’d like to put it on the breakfast table, or beside the coffee pot. The more times you’re thankful, the better off you will be. Choose a rock, plate, necklace, key chain, plaque, doll, flower, or other item as a symbol of your gratitude.

Use the power of thankfulness. Be thankful for your life. There is no one else like you. You are a blessing to our world. Thank you for being you.

Celebrate you
Never Give Up
Joan Y. Edwards

Copyright © 2012 Joan Y. Edwards

What Are Picture Books?

“What Are Picture Books?” by Joan Y. EdwardsPicture books are stories that are illustrated on every page of the book. They are usually 32 pages, but can be 24, 48, 64 pages. The illustrations help to tell the story. Without some of the pictures, the reader might not understand the story. In other words, the text depends on the illustrations to help tell the story. An author can both write the story and do the illustrations, or the story can be written by one person and illustrated by a different person.

Karen Cioffi shared that Claire Saxby quoted a publisher’s definition of a picture book as “40% words, 40% illustration, and 20% X-factor.”

Picture books come in many different sizes…really big, really small and anywhere in the middle. They have them 4×4 inches. And they have big books that might be 24 inches tall and 18 inches wide. You can get a book to fit in your pocket. You can get a book to hang on your wall. Books are fun to hang around with…from early ages to infinity and beyond. Publishers make their choice on the size appropriate for the story.

Nowadays, most publishers want shorter text for picture books. Text can vary from less than 500 words to at the most 1000 words.

They have baby books that are made of non-toxic fibers that babies can chew on and not hurt themselves. These are similar to concept books, but shorter.

Board Books can be for ages 1-3. Board Books are concept books, very few words- 300 or less with concepts. For instance, a picture of a truck with the word truck or a letter of the alphabet with a word that begins with that letter. They are made of thick board usually laminated so that the books withstand the rough treatment and constant use by small children. Eric Carle’s Book of Shapes is a good example of a board book.

Regular – traditional picture books of 32 pages are for ages 4-8. They are from 500-1000 words. Some are written in rhyme.

Wendy Martin in her article, “Illustration for Picture Books,” says the artist’s tools for planning a picture book are: 1. a character sheet, 2. a storyboard, and 3. a book dummy.”

A character sheet has pictures of each character drawn in different positions: front, side, back; happy and sad; angry and envious, puzzled and an “aha” moment or other traits.

A storyboard is one sheet of paper divided into the sections to represent the pages for the picture book. Artists or authors fill it with thumbnail sketches of illustrations and where the text will go.

On Elizabeth Dulemba’s website is a “Blank Storyboard for You to Use:” http://dulemba.com/FreeTools/Storyboard.jpg.

A book dummy has real pages with text and illustrations pasted into place so that the editors can get an idea of what the book will look like. It makes it possible for changes to be suggested and everything put in its right place before printing.

Authors may also make these to help build their idea of how the story will look on paper.

The author of the story makes sure that there is a problem in the story. Just like with any story, the following will be true.

A. Introduce problem/want/desire. Protagonist wants something.

B. Present obstacles and escalate. Something stands in the way of the protagonist, so that he has to struggle to get what he/she/it wants. The Protagonist overcomes obstacles (often in threes). The Protagonist creates his own solution.

C. Climax. Protagonist gets goal, chooses another goal over the original one, or comes to accept he/she will not get goal.

D. Resolution. Protagonist either achieves or doesn’t achieve goal, but is changed by experience.

Here are examples of three delightful picture books. There are hundreds of great picture books.

The first is my own book, Flip Flap Floodle.

  1. Joan Y. Edwards, author and illustrator. Flip Flap Floodle, the happy little duck who Never Gives Up.
Flip Flap Floodle

Becky Shillington, in her review on Amazon, gives a great pitch for my book. She says,”FLIP, FLAP, FLOODLE is a delightful story about a happy little duck who loves to play his flute. With a spring in his step and a song in his heart, Flip sets out one day to play a tune for Grandma, but runs into hungry Mr. Fox along the way. Sure that his song will save him, Flip (with a little help from his feisty mother) proves that determination and perseverance can “out fox” the wiliest foe.”
Thank you, Becky.

Flip Flap Floodle keeps playing his song even inside the fox’s belly. Hear Flip’s song. Flip’s mother hears him playing his song in the fox’s belly. His song saves him, but he has to have a little help from his mother and pepper.

I know the authorities prefer that the protagonist do it all by himself. However, I want children to remember that it’s all right to get help once in a while. I also want them to learn the power of never giving up on their talents and dreams.


Barnes & Noble

  1. Ginger Nielson, author and illustrator. “Gunther, the Underwater Elephant:”
Gunther the elephant swimming on his back using his trunk as a snorkel to breathe in the ocean.
Gunther, the Underwater Elephant

“Gunther, the little elephant, by accident gets separated from his family and floats out to sea. He learns to use his trunk as a snorkel. When he returns home, a tropical bird tells him of a tragedy involving his mother. Gunther uses items from his underwater journey to save the day.

4RV Publishing:


  1. Holly Jahangiri. Trockle. Illustrations by Jordan M. Vinyard
Boy lying on top of bed; monster underneath his bed - both looking frightened.
Trockle (A monster under Steven’s bed)

“Stephen doesn’t like to go to bed because he knows a monster is underneath. Even when told that Monster Repellent was sprayed under the bed, he knows it didn’t work. Under the bed, Trockle, the monster, doesn’t want to go to sleep because he’s afraid of the huge monster above.”

4RV Publishing:

Barnes and Noble:

Here are three more of my picture book favorites:

  1. Alexander and the Terrible, Horrible, No Good, Very Bad Day by Judith Viorst and illustrated by Ray Cruz.

5. The True Story of the Three Little Pigs by Jon Scieszka and illustrated by Lane Smith.

6. If You Give a Mouse a Cookie by Laura Joffe Numeroff and illustrated by Felicia Bond.



  1. About.com. Children’s Books. “Picture Books:” http://childrensbooks.about.com/od/picturebooks/Picture_Books.htm
  2. Aaron Zens. “Character Design:” http://aaronzenz.com/characterdesign.html
  3. American Library Association. “The Caldecott Medal Home Page-Winners from 1938 to Present:” http://www.ala.org/alsc/awardsgrants/bookmedia/caldecottmedal/caldecottmedal
  4. Claire Zaxby. “The Difference Between School Readers and Picture Books by Claire Saxby:” http://robynopie.blogspot.com/2009/08/claire-saxbys-sheep-goat-and-creaking.html
  5. Elizabeth Dulemba. “Storyboard for Paco” http://dulemba.com/FreeTools/Paco-Thumbnails.jpg and
  6. Elizabeth Dulemba. “Blank Storyboard for You to Use:” http://dulemba.com/FreeTools/Storyboard.jpg
  7. Enoch Pratt Free Library. “Guide to Picture Books:”   http://www.prattlibrary.org/locations/children/index.aspx?id=4116
    Eric Carle’s Book of Shapes: http://www.amazon.com/My-Very-First-Book-Shapes/dp/0399243879
  8. Ginger Nielson. Gunther, the Underwater Elephant: http://4rvpublishingcatalog.yolasite.com/children-page-5.php
  9. Harold Underdown. “Chapter 8: Book Formats and Age Levels:” http://www.underdown.org/cig_3e_ch08a.htm
  10. Holly Jahangiri. Trockle. Illustrations by Jordan M. Vinyard
  11. Joan Y. Edwards. Flip Flap Floodle, the happy little duck who Never Gives Up.
    AmazonBarnes & Noble
    12.Keith Schoch. “Teach with Picture Books:” http://teachwithpicturebooks.blogspot.com/
  12. Leslie Reece. Department of Education, Western Australia. “Picturebooks:” http://www.det.wa.edu.au/education/cmis/eval/fiction/classroom/picturebooks/
    14. Margot Finke. “How to Write a Picture Book with Fabulous Rhyme & Meter:”  http://www.underdown.org/mf-rhyme-and-meter.htm
  13. Meghan McCarthy. “An Illustrator’s Guide to Creating a Picture Book:” http://www.meghan-mccarthy.com/illustratorsguide.html
  14. Mem Fox. “So You Want to Write a Picture Book.” http://www.memfox.net/so-you-want-to-write-a-picture-book.html
  15. Michael Hyatt. “Write a Winning Book Proposal.” http://michaelhyatt.com/product/writing-a-winning-book-proposal
  16. MM DelRosario. “What is a Picture Book? http://mmdelrosario.hubpages.com/hub/what-is-a-picture-book
  17. New York Public Library. “100 Picture Books Everyone Should Know.” http://kids.nypl.org/reading/recommended2.cfm?ListID=61
  18. Steve Barancik. “How to Write a Children’s Book:”http://www.best-childrens-books.com/how-to-write-a-childrens-book.html
  19. Tara Lazar “Picture Book Construction – Know Your Layout:” (a template) http://taralazar.wordpress.com/2009/02/22/picture-book-construction-know-your-layout/
  20. Tracy Marchini. “Nine Factors that Make a Picture Book Successful :” http://tmarchini.wordpress.com/2011/02/14/9-factors-that-make-a-picture-book-successful/
  21. Umbral Walker. Dreamings. “Children’s Books vs Middle Grade vs. Young Adult (YA) Novels:”
  22. Uri Shulevitz. “Writing with Pictures: How to Write and Illustrate Children’s Books:” http://mightyartdemos.com/mightyartdemos-shulevitz.html
  23. Wendy Martin. “Illustration for Picture Books, Part 1:” http://wendymartinillustration.com/wordpress/2009/11/11/illustration-for-picture-books-part-1/
  24. Wendy Martin. “Illustration for Picture Books, Part 11: http://wendymartinillustration.com/wordpress/2009/11/11/illustration-for-picture-books-part-2/
  25. Wikipedia.org. “Picture Books:” http://en.wikipedia.org/wiki/Picture_book
  26. WiseGeek.com. “What is a Picture Book?” http://www.wisegeek.com/what-is-a-picture-book.htm

Thanks for reading. I’d love to hear from you.

Never Give Up
Joan Y. Edwards
Copyright © 2012 Joan Y. Edwards

Note: July 10, 2015

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How to Deliver a Short Gutsy Pitch to Entice Editors, Agents, and Readers

“How to Deliver a Short Gutsy Pitch to Entice Editors, Agents, and Readers” by Joan Y. Edwards

Your Gutsy Pitch will entice editors, agents, and readers

Is your ball (pitch) attached to a paddle? 

If you don’t ever pitch your story to a publisher or agent, how can you get it published?

Does your ball (pitch) have holes in it?

Have you told all the essential information to entice an editor or agent?

Does it matter if what you ball (pitch) is colorful and flashy?

Using colorful fonts, gifts, and flashing text won’t entice the editor or agent.

Use vivid and descriptive words – they’ll be enough to entice anyone.

Does it matter what size the ball (pitch) is? 

The logline, elevator pitch, and the Gutsy Pitch is short enough to get an editor, agent, or reader’s interest in 30 seconds or less.

If an editor or agent asks you for a plot summary, query pitch, summary pitch or a 100-150 word pitch, you give additional engaging and intriguing information about your characters and plot.

Today I’m focusing on what I call the Short Gutsy Pitch.

Like a ball attached to a paddle, it could be that you don’t know how to pitch. You don’t know if you’ve got something ready to pitch. You feel you can’t do it. It has you muddled. You are frozen on the pitcher’s mound of your writing career.

If you were a pitcher for the Colorado Rockies, you’d know what to pitch and how to pitch. Here is a video of Colorado Rockies baseball pitcher, Ulbado Jimenez: http://www.youtube.com/watch?v=x5gSHz9_n0s

You’re a professional writer. You need to know what a pitch is, when to write a pitch and how to write a pitch to get on a major league team with publishers, agents, and thousands of readers.

In this article, I explain what a pitch is, why you need a pitch, how to write a pitch, and where to find pitches to study. WIIFY(What’s In It For You) By the end of this article, you’ll know how to write your pitch to wow editors, agents, and thousands of readers.

Amy Burkhart, agent, says the pitch has to tell, “Who, What, When, Where, and Why should I care?”

Kathleen Antrim, award-winning author, says a pitch must tell, “What if… and so what?”

A pitch must tell who the character is, what their situation is, and tell us why we should care. That helps readers connect emotionally with a story.

What is a pitch? A group of words chosen to compel editors, agents, and thousands of readers to have an obsessive need to read your book to find out the rest of the story…to find out what happens. Screenplay pitches are called log lines. A pitch is used in person, online, chats, query letters, cover letters, proposals, and on the covers of books.

A pitch tells about the situation your main character is in, describes what he wants so badly that when his world falls apart and his way to the goal is blocked, he’s willing to do ridiculous, difficult, risky, death-defying, and life changing things to achieve it. He won’t let anyone or anything keep him from reaching his goal.

Write your pitch before you write your story. It will help you write a better story. If you’ve already written your story, write your pitch now.

A pitch is a teaser – a hook that grabs the listener’s attention through his head, heart, and soul. When a bookseller reads a catalog with a listing of 400 books, you have only 15-20 seconds to capture his interest. When talking to another person, you have 30 seconds before their attention wanders elsewhere.

Choose 17-25 words of the most crucial information for your pitch that summarize the main character, flaw, situation, conflict, and aha moments to entice editors, agents, and thousands of readers to read your story.

If you were an editor, would you buy your book after hearing your pitch? If not, rewrite your pitch.

Write your pitch on a card (business card, index card, or poster). Put it in your wallet or put it on your mirror in the bathroom. Be creative. Be able to tell it with ease to anyone who asks what you write. If an editor or agent asks you for a plot summary or a 100-150 word pitch, you give additional engaging and intriguing information about your characters and plot.

Short Gutsy Pitch Parts

Part 1 Introduction to You and Your Book: Your Name, Title of Book, Genre, and Word Count

Part 2: Short Gutsy Pitch (Synonym logline, elevator pitch): Main Character, What He Wants, What Stops Him, What is his worst case situation?(Tells who, what, when, and where) (Tells the what if)

Part 3: How Does the Main Character Change to Overcome Obstacles? (Tells editors/agents/readers Why Should I Care?)

Part 4: What Does the Main Character Learn (Universal Theme) (Emotional Premise) (Tells the editor/agent/reader Why Should I Care?)


Short Gutsy Pitch Parts in Detail

Part 1 Introduction to You and Your Book

My Name, Title of book, Genre, and Word Count

My name is ______. Title is a magazine article, picture book, chapter book, middle grade novel, young adult novel, adult, non-fiction with  ____ words. If it’s a series, you can mention this here.

Part 2: Short Gutsy Pitch: Main Character, What He Wants, What Stops Him, What is his worst case situation?

Short Gutsy Pitch (Logline, Elevator Pitch) Choose 17-25 words, one or two sentences, For screenplays, it’s called a logline. In his “I Wrote a 120 Page Script, But Can’t Write a Logline,http://www.twoadverbs.com/loglinearticle.htm, Christopher Lockhart says a logline (elevator pitch, short gutsy pitch) has to have:

who the story is about (protagonist)
what he strives for (goal)
what stands in his way (antagonistic force).

You find these gutsy pitches in newspapers, movies, on book covers, query letters, etc. I don’t recommend comparing your work to other titles in your pitch. I think it distracts from your story and doesn’t explain enough about the main character’s problem and situation. However, if you feel compelled to put Star Wars meets Gone with the Wind, add it to the front of your short gutsy pitch (logline).

James Sallis wrote the book, Drive:  A Hollywood stuntman who moonlights as a getaway driver for thieves finds that a price has been put on his head after a failed robbery. Read more of pitch: http://www.rottentomatoes.com/m/drive_2011/

Sophie Kinsela wrote the book, Confessions of a Shopaholic: A college grad lands a job as a financial journalist in New York City to support her shopping addiction and falls for a wealthy entrepreneur. Read more of pitch: http://www.rottentomatoes.com/m/confessions_of_a_shopaholic/

Dale Launer write the script for My Cousin Vinny: When sweet Northern college boy and his buddy Stan are picked up and thrown into the slammer in a hick Alabama town, at first it looks like no big deal. Then they are informed that they are accused of murder. Read more of pitch: http://www.rottentomatoes.com/m/my_cousin_vinny/

It is a story about a the main character

(tell age and sex, use character name if you like, but it’s not essential)

(if historical fiction, tell the year and the place)

who is (describe character’s flaw and bottom of the pit, life-changing situation that forces him to act)

Who wants _____________________ more than anything else in the world? What is the crisis?

What is the problem? But Opponent, Unexpected Bad Happenings, Terrible Consequences _______________ stop him (Why Can’t He Get It?)

Apparent Defeat – Disaster – Describe the bottom of the pit situation that seems hopeless and where the character appears doomed to failure. Make the pitch a cliffhanger.

Part 3: What Does He Do and How Does the Main Character Change to Solve the Problem? (Icing on the Cake)

At a workshop and in her iPhone application, “Pitch Your Book,” Linda Rohrbough suggests that when writing a pitch, writers include how the main character changes while striving to reach his goal. The short gutsy pitch hooks your audience. The change your character goes through thoroughly is the icing on the cake that convinces them that they need to read your manuscript. Change is essential to a story. Chances are if no one changes, there is no story. That’s why the editors and agents want to know the change.

In “Our Idiot Brother,” the main character did not change, however other people’s opinions of him changed. It reminds me of how a boy at 18 might think his father is dumb. However, when this same boy reaches 25, he realizes how wise his father was. Did the father change? No. But the boy changed in his attitude about his father. The boy had experiences that made him see his father differently.

Part 4: What Does the Main Character Learn about Himself and/or about Life? What does the experience of the main character in this story teach him about life? What does your story prove? What is the universal theme? What is the emotional premise for your story?

State what the main character learn about himself and about life in general from striving to reach this goal? State a belief that is proved in your story. After you explain it in terms of the story experience, then put it in terms of universal theme, like…love plus deception leads to death. Or use a saying, proverb, or cliché.

Joan’s Emotional Premises for Movies

Blind Side (2009) Premise: trust plus compassion leads to family. Saying, proverb, cliche: One person can make a difference.  For more pitch information: http://www.rottentomatoes.com/m/1212694-blind_side/

Love Story (1970) Premise: courage versus illness leads to unselfish love. Saying: Perfect love means unselfishness. For more pitch information: http://www.rottentomatoes.com/m/love_story/

Confessions of a Shopaholic (2009) Premise: addiction plus respect leads to love. Saying: Practice What You Preach. For more pitch information: http://www.rottentomatoes.com/m/confessions_of_a_shopaholic/

Notes:  If you find conflicting opinions about this topic, go with your gut instinct.

Places to Find Pitches to Study

TV Guide
Newspaper listing of movies
Theaters listing of movies
Amazon Book listings
Back cover of your favorite books
Library book listings online
http://www.Rotten Tomatoes.com (for movies)

Other questions, people might ask you after your Short Gutsy Pitch.

How does your story end?
Why does this story belong with this publishing company or agent?
Why did you write this story?
Is it educational, inspirational, or entertaining?
What makes you the expert or the right person to write this story?
Are there other books in the market similar to this?
How will you help market this book?
Have you had any other works published?

Below is a pitch from one of my personal manuscripts. I hope they give you an idea of things to put in your pitch.  I left the parts named in it.

Short Gutsy Pitch  

Part 1 My Name, Genre, and Word Count

Hi, my name is ___________. Caesar and Cleopatra is Adult Romance and Intrigue, with 60,000 words.

Part 2: Plot, Character, Flaw, Situation, Internal/External Goal, Opponent, Ally, Apparent Defeat:

A young woman wants to marry. However, her intended’s son, job, and past keep getting in the way. She goes back in time and gets stuck in Cleopatra’s tomb. She strives to get out in time to stop the changes that will kill those she loves in the present time.

Part 3: How does the main character change to Overcome Obstacles?

She gains faith in herself and accepts others as they are.

Part 4: What does the main character learn (Universal Theme):  

She learns that she likes the present circumstances better than any that could be changed in the past. Love plus acceptance leads to wisdom.

Realize that your pitch must sound smooth when you tell it or when you place it in your pitch query. Call a friend and read your Gutsy Pitch. Send them an email with the pitch in it. Let them read it to you. Smooth out any rough edges in your delivery. I separated the parts so you would know what belongs where. However, you can deliver it in two paragraphs. The first paragraph entices with a “Wow.” The second paragraph holds them hostage. They’ve got to know what happens now. They’ll ask for your manuscript or buy a copy of your book.

Hi, my name is ___________. Caesar and Cleopatra is Adult Romance and Intrigue, with 60,000 words. A young woman wants to marry. However, her intended’s son, job, and past keep getting in the way. She goes back in time and gets stuck in Cleopatra’s tomb.

She strives to get out in time to stop the changes that will kill those she loves in the present time. She stops being selfish, gains faith in herself, and accepts others as they are. She learns that she likes the present circumstances better than any that could be changed in the past. Love plus acceptance leads to wisdom.

In this article, I explained what a pitch is, why you need a pitch, how to write a pitch, and where to find pitches to study.

How did I do? Do you know and understand about what to put in your pitch to wow editors, agents, and thousands of readers and hold them hostage until they read your book? Why?

Please leave a comment and let me know. Tell me where I confused or muddled you with foggy explanations. Tell me where I explained it clearly. I enjoy hearing from you.

I would be honored if you would sign up for an email subscription from the left hand column.

Please leave a comment below. I value your opinions.

Do something fun to celebrate you and your life. Check out the 26 Resources I used to write this article below.

Joan Y. Edwards

26 Resources I used for this article: 

  1. Amy Burkhardt, agent, Kimberley Cameron & Associates, http://www.kimberleycameron.com/amy-burkhardt.php, “Who, What, When, Where, and Why Should I Care?” CD, http://www.vwtapes.com/whowhatwhenwherewhyshouldicarecd.aspx.
  2. Bill Lundy  “Create a Killer Log Line” http://writermag.com/The%20Magazine/Online%20Extras/2011/02/Create%20a%20killer%20log%20line.aspx
  3. Brian Godawar “How to Write a Pitch Letter for a Freelance Article” http://www.helium.com/items/2159225-how-to-write-a-pitch-letter-for-a-freelance-article.
  4. Cammy Tang, has a critique service, http://storysensei.blogspot.com/2005/08/50-word-elevator-pitch.html.
  5. Christopher Lockhart, “Logline,” http://twoadverbs.site.aplus.net/loglinearticle.htm.
  6. Cynthia Gallagher “How to Pitch Your Book at a Conference” http://www.writing-world.com/publish/pitch2.shtml
  7. David Macinnis Gill, “How to Write a Log Line,” http://davidmacinnisgill.com/2009/08/01/how-to-write-a-log-line/.
  8. Donna Ippolito, “Secrets of the Short Story,” http://www.expert-editor.com/id7.html.
  9. Dwight V. Swain, Techniques of the Selling Writer, http://www.amazon.com/exec/obidos/ASIN/0806111917/camysloft-20/.
  10. Guide to Writing a Book Pitch  http://bubblecow.co.uk/blog/2010/08/22/a-guide-to-writing-a-book-pitch-for-penguin-books/
  11. John Robert Marlow, “Building the Perfect Logline for Your Book, Screenplay, or Other Story,” http://makeyourbookamovie.com/building-the-perfect-logline-for-your-book-screenplay-or-other-story/441/.
  12. Kathy Kennedy and Dennis G. Jerz “Get Started: Emergency Tips,” http://jerz.setonhill.edu/writing/creative1/shortstory/
  13. Kimberly Howe. “Pitch Tips,” http://www.thrillerfest.com/agentfest/pitch-tips/.
    1. Kathleen Antrim http://www.thrillerfest.com/agentfest/pitch-tips/.
    2. Jon Land http://www.thrillerfest.com/agentfest/pitch-tips/.
  14. Kristi Helvig. “Two Minute Elevator Pitch,” http://www.sistersinscribe.com/2010/04/two-minute-elevator-pitch.html.
  15. Lee Nordling. “What It Takes to Sell Your Pitch Part 1” (The secret to the pitch-Tell the good part)http://www.comicsbulletin.com/wolfman/106478386819087.htm
  16. Lee Nordling. “What It Takes to Sell Your Pitch Part 2” http://www.comicsbulletin.com/wolfman/106538301215335.htm
  17. Lee Nordling. “What It Takes to Sell Your Pitch Part 3” (Publishers play in a certain sandbox) http://www.comicsbulletin.com/wolfman/10659851965461.htm
  18. Linda Rohrbough. Pitch Your Book, iPhone application http://itunes.apple.com/us/app/pitch-your-book/id432755697?mt=8&ls=1.
  19. Maeve Maddox. “Writing a Pitch,” http://www.dailywritingtips.com/writing-a-pitch/.
  20. Moira Allen. “Selling Your Nonfiction Book, Part II: Making Your Pitch,” http://www.writing-world.com/publish/bookprop2.shtml.
  21. Rachelle Gardner, agent. “Questions for Crafting Pitch,” http://www.rachellegardner.com/2011/07/secrets-of-a-great-pitch-2/ and http://cba-ramblings.blogspot.com/2010/09/11-questions-for-crafting-pitch.html.
  22. Randy Ingermanson. http://www.advancedfictionwriting.com/art/snowflake.php.
  23. Scriptologist.com. “Logline: What It Is, Why You Need It, How to Write It,” http://www.scriptologist.com/Magazine/Tips/Logline/logline.html.
  24. Squidoo.com. “The Logline. The Dreaded Logline:” http://www.squidoo.com/screenwriting-a-quick-guide-to-writing-a-killer-logline
  25. 2008 SCBWI-Carolinas Fall Conference – “Pitch Session” with Alan Gratz and Pam Zollman, et al.
  26. 2010 Pikes Peak Conference “How to Pitch Your Book” and “How to Talk with Editors and Agents” with Linda Rohrbough.


Copyright © 2011 Joan Y. Edwards and Her Licensors.


What Are You Thinking? To Succeed, Reword Your Thoughts (PubSub3rdFri)

What Are You Thinking? To Succeed, Reword Your Thoughts (PubSub3rdFri) by Joan Y. Edwards

Dear Pub Subbers,

Many times we think we set our goals properly. We want to get our book published. We write a manuscript. We send it off to critique groups. We write a cover letter and send it off to a publisher. Negative thoughts bring negative results. Positive thoughts bring positive results.

What are you thinking? Are you thinking of reasons why you can’t get published? Excuses, Hurdles to Jump, Obstacles. Your underground thoughts might go like this:

  1. Money is tight. No one is publishing paperback books now.
  2. No one, but no one is publishing picture books now.
  3. If books cost more $16.99 or more, no one is going to buy it.
  4. No one understands my humor.
  5. You have to be a well-known artist to illustrate children’s books.
  6. Only famous people get books published easily.
  7. Publishers and agents don’t reply.
  8. All I get from publishers and agents is no.
  9. I don’t have time to write.
  10. I’m not going to change my manuscript for anybody.

You can see from looking at these that the author/illustrator would have a difficult time not because of what someonelse is thinking about his work. It’s the author/illustrator’s thoughts that are rejecting the work before it even leaves his house. Change your thoughts to be more receptive to a yes. Send out good vibrations.

  1. Money may be tight for many publishers. However, there is a publisher who will publish my book in paperback.
  2. Some publishers are not publishing picture books. Some publishers are publishing picture books. There is a publisher that gives me a contract to publish my picture book.
  3. Publishers found a cheaper way to market my books.
  4. Editors, Agents, and readers understand my humor.
  5. I am a talented artist. I illustrate children’s books.
  6. My books are published. It was easy.
  7. Publishers and agents reply to my queries.
  8. Publishers and agents offer me numerous contracts. I receive mostly yes responses from publishers and agents.
  9. I have time to write.
  10. I change the things I agree 100% about changing in my manuscript for my editor. I listen to the logic behind the editor’s reasons for wanting to change my manuscript.

After you’ve gotten your focus on what you want and your thoughts in a positive mode, send out your manuscript.

More PubSub3rdFri blog posts: https://joanyedwards.wordpress.com/category/writing/pub-sub-3rd-fri/,

Week One,

Week Two,

Week Three Pub Sub Friday

Week Four – Read, educate, and motivate yourself. (Blog to come soon)

Submit your work. You are worth it. Good luck with all your publication endeavors.

*During July, I’ll send you a copy of Joan’s Plot Diagram if you add a comment to the Winner of Joan’s Plot Diagram post http://wp.me/pFnvK-y4  and tell me that you’d like to receive it.

*Sign up for an email subscription from the left hand column. If
you’re the 50th subscriber, you will win a choice of a free paperback
copy of Flip Flap Floodle or a 1001 Ways to Market Your Books by John
Kremer. Forty-one people have signed up, so far.

Never Give Up
Celebrate Where You Are
Joan Y. Edwards


Copyright © 2004-2011 Joan Y. Edwards

Uplifting, Encouraging, Motivating, and Educational

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